By Paul Varnell

I just finished reading an engrossing book titled “The Age of the Bachelor” by Howard Chudacoff. It details the development of a specifically bachelor-oriented culture in major U. S. cities between 1880 and 1930, suggesting why it developed, how extensive it was and what institutions grew up to service its needs.

Some of the reasons for its development include the rise in the average age of marriage, the rapid increase in immigration and the difficulty many men working low-wage jobs would have had supporting a family. But more important was the development of institutions to meet the needs of single men for meals, housing, companionship and entertainment—thus making it possible for increasing numbers of men to lead a comfortable and satisfying life without any need for marriage.

The extensive array of primarily male institutions that developed or expanded to meet bachelors’ living and socializing needs included rooming houses, cafes, saloons, barbershops (given the lack of hot water for shaving in most rooming houses), pool halls, tailor shops, bathhouses (no hot water for bathing either), all-male social clubs and fraternal organizations (Elks, Odd Fellows), vaudeville theaters and music halls, participant and spectator sports and “red-light districts.”

The newly developed YMCAs might offer any or all of the following amenities: rooms for rent, cafeteria and lunch counter, barbershop, gym, swimming pool, shoeshine stand, telephones, employment service, laundry room, game room, newsstand and even entertainment in the evenings.

There are only a few incidental mentions of gay men in the book, but it seems obvious that some of those bachelors (15 to 20 percent?) were gay and that bachelor culture enabled gay men to meet one another and explore their lives with a new freedom. In some ways the book can serve as a prologue to George Chauncey’s “Gay New York”—and gay Boston, gay Chicago and other major cities where bachelor culture created the conditions for the first wave of gay community.

For instance, not only did primarily bachelor social institutions enable gay men to find one another more easily, but some rooming houses and YMCAs allowed residents to take guests to their rooms. Some bathhouses turned a blind eye to patrons who engaged in sex and some bathhouse employees must have been available for “massages.” And there must have been young gay or bisexual men in any of these environments who were willing to engage in sex for a small fee. For much of this we have to make educated guesses but Chudacoff’s book gives us the material to do that.

Although modern technology and a developed economy have enabled today’s bachelors to have at home conveniences (telephones, hot water, spectator sports) that were once available only publicly, it is still fascinating to see how many of the social and entertainment institutions of modern singles culture and our gay culture have preserved or replicated in one form or another institutions developed around the turn of the century.

“The Age of the Bachelor” is not a new book. It was published in 1999, so you won’t see it listed in any of those best books of 2007 or whenever. But not every good book gets the attention it deserves when it is published. This is particularly true of academic books, which tend to survive—if at all—as footnotes in other books. Yet when you seek them out they can turn out to be highly informative in ways you did not expect.

I’ve run across several other books in the past year, whether gay-specific or not, that I found worthwhile reading. Among them:

Rictor Norton, “The Myth of the Modern Homosexual” (1997). The title refers to the modern “social constructionist” myth that no men or women had a homosexual consciousness until the late 19th century when the word “homosexual” was coined. Drawing on copious historical research tracing self-understood homosexuals back through the centuries, Norton destroys that myth and restores gay history to its full legitimacy. He also shows how flimsy were the arguments advanced to support the myth.

David M. Friedman, “A Mind of Its Own: A Cultural History of the Penis” (2001). Friedman wittily traces the various ways the male member has been viewed in different times and cultures, including religious, anthropological, psychoanalytic, scientific and feminist approaches, and illustrates how the penis has been symbolized (battering ram, measuring stick, cigar, gear shift) over the years.

Michael Sherry, “Gay Artists in American Culture: An Imagined Conspiracy” (2007). Sherry details the increasing number of gay creative artists in the fields of music, theater, and literature in the 1950s and the growth of a homophobic reaction against them. Critics charged them with shallowness, insincerity, inauthenticity and a distorted view of the world. A fascinating recovery of a dismal episode in recent American history.

Some of Paul Varnell’s previous columns are posted at the Independent Gay Forum (www.indegayforum.org). His e-mail address is pvarnell@aol.com.